Latest Humanities Journal papers

The most recent issue, Volume 7, Number 11, of The International Journal of the Humanities includes:

Michael Dirda on ‘In Other Rooms, Other Wonders’

other-room-other-wonders

By Daniyal Mueenuddin From The Washington Post

Because of Salman Rushdie, Arundhati Roy and Rohinton Mistry, to mention just a few of the most prominent authors, American readers have long been able to enjoy one terrific Indian novel after another. But Daniyal Mueenuddin’s In Other Rooms, Other Wonders is likely to be the first widely read book by a Pakistani writer. Mueenuddin spent his early childhood in Pakistan, then lived in the United States — he attended Dartmouth and Yale — and has since returned to his father’s homeland, where he and his wife now manage a farm in Khanpur. These connected stories show us what life is like for both the rich and the desperately poor in Mueenuddin’s country, and the result is a kind of miniaturized Pakistani “human comedy.”

In the original Comédie humaine, Balzac had the ingenious notion of tying his various novels together by using recurrent characters. Eugène de Rastignac is the protagonist of Le Père Goriot but is subsequently glimpsed in passing or sometimes just referred to in several other books. In like fashion, Mueenuddin interlaces eight stories, while also linking them to the household of a wealthy and self-satisfied landowner named K.K. Harouni. In “Saleema,” for instance, Harouni’s elderly valet, Rafik, falls into a heartbreaking affair with a young maidservant, and we remember this, with a catch in our throat, when in another story we see him bring in two glasses of whiskey on a silver tray. In “Our Lady of Paris,” we discover that Harouni’s nephew is madly in love with a young American woman named Helen; later on, we discover that he is married — to an American named Sonya. More…

Humanities Journal, Volume 7, Number 11 available

The eleventh issue of Volume 7 of The International Journal of the Humanities has now been published.

Volume 7, Number 11 includes:

All Geared Up: Elvis the Transhumanist

elvisFrom Richard Eskow at 3quarksdaily.com

Occasionally an idea will come to mind that’s claimed quickly and eloquently by someone else before you have a chance to execute it.  When Michael Jackson died I began dabbling with the subject of Jackson as Transhumanist, but my piece was only half-written when RU Sirius pretty much nailed the topic.  Nick Gillespie at Reason found the key lines from Sirius:  “Michael Jackson is obviously not an example of transhumanism to be followed.  But he is a signpost on the road to post-humanity. I believe the future will study him from that perspective, and in some odd way, it will learn from his many mistakes.”

Well said, and lesson learned:  When it comes to the world of ideas, if you snooze you lose.  (Unless you enhance your work capabilities with Provigil, of course, in which case you won’t do as much snoozing.)  But although the Michael Jackson moment has come and gone, a new event was commemorated this week:  the 75th birthday of Elvis Presley. Elvis was the primogenitor, the Omo I of rock and roll culture.  He didn’t just “ship a lot of units,” as they used to say in the record biz (back when there was a record biz.)  He changed everything.

Elvis was certainly considered different. From his early days on he was an agent of radical transformation in sexuality, culture, and appearance.  At nineteen, he and his musicians seemed so unusual to the announcer at the Louisiana Hayride that he was asked, on the air, “You all geared up with your band there?”

“I’m all geared up!”  Elvis answered.

But suspicious minds require proof for Elvis as transhumanist.  Let’s define transhumanism as a rejection of traditional human biology and its limits, an assertion of the right to remake yourself radically (what Max More called “morphological freedom”), and an embrace of technology as the instrument of both self-expression and self-transformation. More…

George Orwell’s days: From strawberry-picking in Hertfordshire to rat-fixations in Jura – the final diaries

Orwell's press card portrait, taken in 1933

Orwell's press card portrait, taken in 1933

From D. J. Taylor in The Times Online:

Diaries brings together the eleven individual journals that George Orwell compiled between 1931 and 1949. The final entry, written in September 1949, describes the daily routines of University College Hospital, where he was to die of advanced tuberculosis early in 1950. All were published in the monumental twenty-volume Complete Works (1998), but now appear consecutively for the first time. There is certainly a twelfth diary, and possibly even a thirteenth, among the items taken from a Barcelona hotel room in June 1937 by Soviet agents and now gathering dust somewhere in theFor more…For more… NKVD archive in Moscow. In his introduction, Peter Davison reveals that he once met a man – Miklos Kun, grandson of the Hungarian Communist leader Béla Kun – who had tracked down Orwell’s NKVD file, but was unable to fillet it before the archive shut its doors to the public.

Handsomely produced, illustrated with Orwell’s own pencil sketches and footnoted with Davison’s customary élan, this latest wave in the repackager’s tide invites two questions. Why did Orwell write diaries? And what do they tell us about him? Most writers’ diaries are self-conscious affairs, where the reader ends up with a sneaking feeling that the real audience is only a remote posterity. Orwell’s are notably unvarnished, often no more than a mundane domestic record, and yet this doesn’t make them personally revealing. There is, for example, almost nothing in them about Orwell’s literary techniques. Neither is there very much in the way of confidential remarks. When he notes in 1941, out of nowhere, that he is “thinking always of my island in the Hebrides, which I suppose I shall never possess, nor even see”, there is a sudden glimpse of all kinds of things not often associated with Orwell – frustrated yearnings, sequestered retreats, the deepest of romantic chasms.

For more…

Only Reflect

emfFrom Edmund White in the New York Times:

Aspiring fiction writers have been reading E. M. Forster’s “Aspects of the Novel” since it was first published in 1927. I can remember devouring it in 1960 or soon after; here was one of the greatest English novelists of the 20th century, the author of “A Passage to India,” divulging the secrets of the trade — or rather, expressing strong but always courteous opinions about the rival merits and methods of the important novelists of the past.

Here we first learned of “flat” (quickly sketched in) versus “round” (fully developed) characters and how every book needs some of both. Here we were told that Henry James’s decision in “The Ambassadors” to make his two chief male characters reverse positions by the end of the novel was a bad idea, a shoehorning of human vagaries into the rigors of unbending “pattern,” whereas Proust’s far better principle of composition was subject to a more fluid and spontaneous sense of “rhythm.” Forster gives as an example of rhythm Proust’s constant but never systematic or insistent return to the theme of the “little phrase,” a melody that the fictional composer Vinteuil serves up in various forms and that the characters hear at strategic moments. Forster writes of the melody, “There are times when it means nothing and is forgotten, and this seems to me the function of rhythm in fiction; not to be there all the time like a pattern, but by its lovely waxing and waning to fill us with surprise and freshness and hope.”

Sir Frank Kermode, who turned 90 last year, has written a subtle and fascinating book of criticism that obeys the delightful vagaries of rhythm more than the inflexibility of pattern. In “Concerning E. M. Forster,” Kermode sinks probes into Forster’s book about fiction (the first chapter is called “Aspects of Aspects”) and manages along the way to explore aesthetic questions, Forster’s life and Forster’s links to other writers, like Virginia Woolf and D. H. Lawrence.

For more…

Recently published in the Humanities Journal

The most recent issue, Volume 7, Number 10, of The International Journal of the Humanities includes:

The problem of dogmatism

Oskari Kuusela, from The Philosopher’s Magazine, on why Wittgenstein rejected theories…

A distinctive feature of Wittgenstein’s philosophy is his rejection of philosophical theses and theories. Instead he comprehends philosophy as an activity of clarification. How he understands the contrast between this activity and philosophical theorising, however, is not immediately obvious and constitutes a disputed topic among his readers. Apparently symptomatic of this unclarity is that many of Wittgenstein’s interpreters in fact attribute various philosophical theories to him either explicitly or implicitly, against their own self-understanding. Either way, this constitutes a problem. To attribute theories to Wittgenstein is to characterise his work as inconsistent, as containing a contradiction between his methodological statements about philosophy and his actual philosophical practice. Beyond scholarly concerns, to attribute theories to Wittgenstein is to miss out on the possible benefits of rethinking the nature of philosophy with him. More specifically, he claims to have found a strategy for avoiding dogmatism in philosophy, a problem he sees as intimately connected with philosophical theories. The problem of dogmatism thus understood might also be seen as one central reason why philosophy remains enmeshed in dispute, and doubts persist about its value. More…

Announcing the winner of the International Award for Excellence

humanities_coverCongratulations to Jodie Parys, the winner of the International Award for Excellence in the area of new directions in the humanities for her paper Confronting HIV/AIDS through an Erotic Rewriting of the Classic Fairy Tale Rapunzel in Andrea Blanqué’s “Adiós, Ten Ying”

Abstract: Fiction has often served as a space in which to confront, record and archive the AIDS epidemic in diverse manners. Writers frequently use the pages of their texts to challenge societal expectations and perceptions about the disease. Andrea Blanqué’s short story, “Adiós, Ten-Ying” is one such approach. Through a post-modern, feminist reworking of the classic fairytale, Rapunzel, Blanqué subverts reader expectations about AIDS and sexuality by presenting a protagonist who initially evokes the familiar storyline of Rapunzel, but ultimately becomes an icon of sexual liberation in the face of a patriarchal society that would prefer to negate her existence as an AIDS-infected prostitute. Blanqué achieves this subversion and ultimate celebration of sexuality by using a narrative structure that is reminiscent of the well-known tale, but is manipulated at key moments to challenge taboos about sexuality and AIDS. This presentation will examine this reworking to illustrate how Blanqué produces a novel approach to the classic fairy tale and ultimately provides an enlightened perspective on HIV/AIDS vis-a-vis her feminist interpretation of coming of age in the face of HIV/AIDS.

If you have read the paper you may wish to add a review.

Humanities Journal, Volume 7, Number 10 available

The tenth issue of Volume 7 of The International Journal of the Humanities has now been published.

Volume 7, Number 10 includes:

Finalists for the International Award for Excellence

Congratulations to all of the International Award for Excellence finalists:

The Original of Laura: A Novel in Fragments, Vladimir Nabokov

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From Leland de la Durantaye at Boston Review:

LAST WISHES

In 1965 Vladimir Nabokov wrote, “the bitterness of an interrupted life is nothing compared to the bitterness of an interrupted work: the probability of a continuation of the first beyond the grave seems infinite by comparison with the hopeless incompleteness of the second.” More than any great writer of his century, Nabokov was exacting about the presentation of his words and works, from his painstaking translations to his routine destruction, by fire, of preliminary drafts once his novels were complete. When he died in 1977 Nabokov left behind many things. Among these were a loving family, international fame, and a last request: the destruction, by fire, of the notes for his final work in progress. All expectations to the contrary, these have now been published as The Original of Laura: A Novel in Fragments.

Less than a year before his death, Nabokov told The New York Times that he was at work on a new novel and that in idle, albeit feverish, moments in the hospital, he read it aloud to “a small dream audience in a walled garden.” “My audience,” he told the Times, “consisted of peacocks, pigeons, my long-dead parents, two cypresses, several young nurses crouching around, and a family doctor so old as to be almost invisible.” This doctor is finer than anything found in the Novel in Fragments, but that does not mean that there are not fine things therein. More…

Humanities Journal Associate Editors

The Associate Editors listing for Volume 7 of  The International Journal of the Humanities is now available.

Timing Is Everything: The World May be Getting Smaller, but it’s Also Getting a Whole Lot Faster.

From Jessa Crispin, The Smart Set.

You can tell a lot about a person by the relationship she has with time — what she values, how she works, and often where she came from. I have often wondered if my own anxiety about the wide expanse of the day goes back to my rural Kansas upbringing. Barred from watching television and encouraged (pushed) to explore the outdoors, the way I view the hours of the day correlates with the view of the horizon: flat, never ending, bichromal. I wake in the morning to wonder how in the world I will ever find a way to break that expanse into manageable chunks without falling into boredom or uselessness.

Whether it’s the American motto “time is money,” or the Eastern European saying “When man is in a hurry, the devil makes merry,” the primary way in which a culture deals with the passing days marks the people who live in it. Ethnographers and anthropologists have long understood this, and used the way societies react to time — from how they divide their day to how they react to the aging process to the language they use to describe the past, present, and future — to tell the stories of what makes this culture unique.

To Read More…

On Franz Fanon:Fanon and the Epidemiology of Oppression

From Zia Sardar, Naked Punch.

(Direct quotations from Black Skin, White Masks are set in italics)

The opening gambit of Black Skin, White Masks ushers us towards an imminent experience: the explosion will not happen today. But a type of explosion is about to unfold in the text in front of us, in the motivations it seeks, in the different world it envisages and aims to create. We are presented withhumanities1 a series of statements, maxims if you like, both obvious and not so obvious: I do not come with timeless truths;fervour is the weapon of choice of the impotent; the black man wants to be white, the white man slaves to reach a human level. We are left with little doubt we are confronting a great deal of anger. The resentment takes us to a particular place: a zone of non-being, an extraordinary sterile and arid region, where black is not a man, and mankind is digging into its own flesh to find meaning.

To Read More…

Humanities Journal, Volume 7, Number 9 published

The ninth issue of Volume 7 of The International Journal of the Humanities has now been published.

Volume 7, Number 9 contains:

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Humanities Journal, Volume 7, Number 8 published

The eighth issue of Volume 7 of The International Journal of the Humanities has now been published.

Volume 7, Number 8 contains:

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Modernism and the little magazines

The literary journal is dead. Long live the literary journal.

“The first function of a literary magazine is to introduce the work of new or little-known writers of talent.” There is an appealing modesty about this brisk declaration, even a kind of impersonality in subordinating editorial ego to the larger good; it seems likely to provoke a murmur of agreement, not least from new or little-known writers. But this is not, of course, the only way in which the function of such publications may be conceived. The editor of one of the many new literary periodicals established in the 1920s announced a no less definite sense of purpose in quite other terms: “I shall make its aim the maintenance of critical standards and the concentration of intelligent critical opinion”. The goals expressed in these two quotations are not necessarily in conflict: editors might, it is true, maintain “critical standards” in a practical way by identifying new literary talent. But the tendency is for the pursuit of these two purposes to result in periodicals of rather different types. One, often thought of as the classic “little magazine”, largely carries new poetry and fiction, mostly by as yet unrecognized writers, often exemplifying a style of writing that is self-consciously, even determinedly, insurgent and unfashionable. The other, committed to upholding the critical or reviewing function, is largely filled with essays and book reviews, taking in the literature of both the past and the present, as well as taking in more than literature; it aspires to shape intelligent opinion and to combat the slackness and puffery of mainstream literary journalism. More…

Humanities Journal, Volume 7, Number 7 published

The seventh issue of Volume 7 of The International Journal of the Humanities has now been published.

Volume 7, Number 7 contains:

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They need a hero

A piece from TheNational:

For centuries Germans united around the tale of Hermann, a chieftain who rallied his fellow tribesmen to defeat the Roman army. But this founding national myth, cherished by Romantic poets and Nazi ideologues, was banished from memory in the postwar era. As Hermann-mania returns to a wary Germany 2000 years after his victory, Clay Risen considers the search for national identity in a post-national age.

Atop a forested hill a few kilometres outside the sleepy west German town of Detmold stands a 19-metre high statue of Hermann, the Germanic chief whose forces annihilated nearly 20,000 Roman legionnaires at the Battle of the Teutoburg Forest in 9AD. Gazing toward the French border, the copper statue, wearing a jaunty winged helmet, holds an upraised sword, whose blade bears the inscription “German Unity is my strength, and my strength is Germany’s power”. More…

Night Visions

Liesl Schillinger at The New York Times:

In the 1920s, a disaffected Soviet encyclopedia editor named Sigizmund Krzhizhanovsky — a man haunted by Kant’s “Critique of Pure Reason” and by Communist realities — began writing a series of philosophical, allegorical, fantastical short stories. Seven of them appear in “Memories of the Future,” a selection of his fiction that takes its title from the book’s longest entry — the tale of a brusque monomaniac who builds a “timecutter” to eject himself from 1920s Moscow. None of these ­stories were published in Krzhizhanovsky’s lifetime. This was not because the work had been rejected or because it was, well, a little weird. Krzhizhanovsky, it seems, was too proud, too shy or (more likely) too frightened to show them around — given that he was spinning his dystopic fictions at about the same time that Stalin was collectivizing the Soviet countryside. More…

Manifesto: New Aestheticism

An essay by Damion Searls from The Quarterly Conversation:

Modest in aim, New Aestheticist art does not want to change the world—to bear witness, deconstruct, problematize. It does not batten onto greater social goals, the kind responsibly fundable with tax dollars. It wants merely to be beautiful.

It differs from the old Aestheticism, “art for art’s sake,” in that it no longer believes in Art as a sake either, as a holy cause. New Aestheticism is art for people’s sakes. It is not antisocial; it aims to please. It is elitist but not discriminatory, for it is open to any and all who care to love it.

MFA programs teach the craft of plot or of poetic epiphany, and a pared-down, smooth style that seems embarrassed of beauty. The dictum to show not tell has led downward to darkness, from, say, Madame Bovary and The Sun Also Rises to a prose that is all shown, that walks on ice in socks: all surface and no depth, like TV at its worst. Quote examples here. But I cannot bring myself to write an ode to dejection.

Nor can writers today draw their aesthetic calling from the visual arts, as Barbara Guest did from Matisse, Frank O’Hara from de Kooning, Rilke from Rodin, . . . Museums have turned away from beauty toward a misdirected populism whose logic Proust refuted 90 years ago already (the people, not the elite, he argues, are the only ones intelligent enough to appreciate so-called-elitist high art; in terms of content, it is plumbers who want to read about princesses, just as much as princesses want to read about plumbers). In truth museumgoers go, when they go, for art, not for pandering and exhibits of billionaires’ speedboats. More…

Only A God Can Save Us

Only A God Can Save Us: Heidegger, Poetic Imagination and the Modern Malaise by Henk J. Van Leeuwen is now available from The Humanities imprint.

In the shadow of a looming global environmental catastrophe humanity is at an unprecedented crossroad where crucial and difficult decisions must be made about how we are to live. This book questions where the desire for certainty and mastery is taking us and argues that reliance on technology and information alone cannot avoid an ecological catastrophe. It attends to an existential poverty of spirit that, it suggests, is at the root of contemporary problems. It tackles the association between a metaphysical void, with its growing sense of meaninglessness, and the ecological predicament.

While many find the consolations of traditional religion increasingly untenable, a hunger for a spiritual dimension in life persists. In a rare excursion, yet one which continues the uniquely human search for a transcendent ground of being, the book explores an unfamiliar kind of thinking which shelters and liberates the poetic imagination that counters the modern malaise. In a scholarly yet accessible account van Leeuwen uncovers from Martin Heidegger’s middle/late philosophy an extraordinary pathway of transformative thinking where this imagination is nurtured.

Continue reading ‘Only A God Can Save Us’

Humanities Journal, Volume 7, Number 6 published

The sixth issue of Volume 7 of The International Journal of the Humanities has now been published.

Volume 7, Number 6 contains:

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Humanities Journal, Volume 7, Number 5 published

The fifth issue of Volume 7 of The International Journal of the Humanities has now been published.

Volume 7, Number 5 contains:

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Humanities Journal, Volume 7, Number 4 published

The fourth issue of Volume 7 of The International Journal of the Humanities has now been published.

Volume 7, Number 4 contains:

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Humanities Journal, Volume 7, Number 3 published

The third issue of Volume 7 of The International Journal of the Humanities has now been published.

Volume 7, Number 3 contains:

Scientist, author and artist, David Stork, speaking on the humanities in LA

David Stork, Stanford University, Stanford, USA
www.Humanities-Conference.com

Dr. David G. Stork is Chief Scientist of Ricoh Innovations and Consulting Professor of Statistics at Stanford University. He is a graduate in physics of the Massachusetts Institute of Technology and the University of Maryland at College Park; he also studied art history at Wellesley College and was Artist-in-Residence through the New York State Council of the Arts. More…

Humanities Journal, Volume 7, Number 2 published

The second issue of Volume 7 of The International Journal of the Humanities has now been published.

Volume 7, Number 2 contains:

2010 Humanities Conference - Plenary Speaker Added

Douglas Kellner, University of California, Los Angeles, USA
www.Humanities-Conference.com

Douglas Kellner is George Kneller Chair in the Philosophy of Education at UCLA and is author of many books on social theory, politics, history, and culture, including Camera Politica: The Politics and Ideology of Contemporary Hollywood Film, co-authored with Michael Ryan; Critical Theory, Marxism, and Modernity; Jean Baudrillard: From Marxism to Postmodernism and Beyond; works in cultural studies such as Media Culture and Media Spectacle; a trilogy of books on postmodern theory with Steve Best; and a trilogy of books on the media and the Bush administration, encompassing Grand Theft 2000, From 9/11 to Terror War, and Media Spectacle and the Crisis of Democracy. Author of Herbert Marcuse and the Crisis of Marxism, Kellner is editing collected papers of Herbert Marcuse, four volumes of which have appeared with Routledge. More…

2010 Humanities Conference - Accommodation

Accommodation for the 2010 Humanities Conference in Los Angeles, USA may now be booked. Please see the Conference Accommodation webpage for more information.

Online Presentations

Please view our online presentations on the Common Ground YouTube site or watch the Humanities playlist here.

Humanities Journal, Volume 7, Number 1 published

The first issue of Volume 7 of The International Journal of the Humanities has now been published.

Volume 7, Number 1 contains:

The Future of the European Parliament

Anand Menon, from OpenDemocracy.net, reflects on the future of the European Parliament…

The campaign for the elections to the European parliament, being held across the European Union’s twenty-seven member-states on 4-7 June 2009, has made one thing clearer than ever. Insofar as people have any intention of voting at all, most will do so on the basis of the performance of national politicians in dealing with national problems within national political systems. More…

The Humanities Imprint

Common Ground Publishing have relaunched The Humanities imprint.

You can now submit proposals or completed manuscript submissions of:

Books should be between 30,000 words and 150,000 words in length. They will be published simultaneously in print and electronic formats.

2009 Humanities Conference - Plenary Speaker Added

Michael Zhao, Chinese Educational Consultin, Beijing, China
www.Humanities-Conference.com

Michael Zhao is both a Chinese educator and an American entrepreneur. He holds a Ph.D. in Sociology from American University, with a focus on socio-economic development. He has more than 20 years of experience working in education and business management in both China and the United States. For the past three years, Dr. Zhao was Director of China Programs for the Institute for the International Education of Students (IES Abroad), a leading study-abroad institute in the US with 33 centers in 17 countries globally and sending over 5000 students to study abroad annually. In addition to expanding the institute’s existing study abroad center in Beijing, he established IES’s second China center in Shanghai. He has taught at the China Fire Engineering Institute in Xi’an, and in the U.S. at Montgomery College Rockville, Maryland, and at the American University, Washington D.C. More…

Humanities Journal, Volume 6, Number 12 available

The last issue of Volume 6 of The International Journal of the Humanities has now been published.

Volume 6, Number 12 contains:

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Humanities Conference - Plenary Speakers Added

Zhang Zhiqiang, Professor of Publishing Studies and Library Science, Director of the Institute of Publishing Science, Nanjing University, Nanjing, People’s Republic of China.

Marcus Wood, painter, performance artist and film maker; Professor in the English department, University of Sussex, Falmer, UK.

Humanities Conference - Tours Added

Pre-Conference Beijing Tour – 29 May 2009 – 4 nights

Post-Conference Xi’an Tour – 06 June 2009 – 2 nights

Post-Conference Beijing Tour – 05 June 2009 – 4 nights

For more details regarding one or more of these optional 2009 Humanities Conference Tours, please see the Activies and Extras on the Conference website.

2009 Humanities Conference - Plenary Speaker Added

James R. Pusey, Bucknell University, Lewisburg, USA
www.Humanities-Conference.com

James R. Pusey is a professor of Chinese Studies at Bucknell University, Pennsylvania, where he teaches courses on Chinese language, philosophy, literature and their relations with intellectual thought. He is the author of Lu Xun and Evolution (State University of New York Press, 1998) and also of other books and essays on Wu Han, K’ang Yu-wei, Liang Qichao and the impact of Charles Darwin’s theory of evolution in China. The recent publication of a translation of his China and Charles Darwin (Council on East Asian Studies, Harvard UP, 1983) is attracting both widespread interest in China and renewed attention abroad. He has recently completed a book manuscript titled “Confessions of a Chinese History Teacher: Reflection on the 200th Anniversary of the Macartney Mission.” In celebration of Charles Darwin’s bicentennial, he will be editing a volume of essays on Darwin and the humanities and social sciences. More…

Humanities Conference - Conference Dinner

Enjoy a wonderful dinner full of flavor and distinctions true to Chinese tradition. For more information on the Humanities Conference Dinner, please see the Activities and Extras at the Conference website.

Humanities Conference - Plenary Speakers Added

Harry Lewis, Gordon McKay Professor of Computer Science in the School of Engineering and Applied Sciences, Harvard University, Cambridge, USA.

Judy Lattas, Director of the Interdisciplinary Women’s Studies, Gender and Sexuality program in Sociology, Macquarie University, Macquarie, Australia.

Humanities Conference - Accommodation

Accommodation for the 2009 Humanities Conference in Beijing, China may now be booked. Please see the Conference Accommodation webpage for more information.

Humanities Conference - Plenary Speakers Added

Greg Clingham, Professor of English and Director of the University Press at Bucknell University, Lewisburg, USA.

Wu Qing, Beijing Cultural Development Center for Rural Women, Beijing, China.

Seventh International Conference on New Directions in the Humanities

2-5 June 2009
Beijing, China
www.Humanities-Conference.com

Is Logic Universal?

The journal Logica Universalis has issued a Call for Papers for a special issue dedicated to the question “Is logic universal?”

Included in the Call is this:

Many questions are connected to this issue:
1. Do all human beings have the same capacity for reasoning?
Do people of different gender, ethnic, cultural and linguistics backgrounds
reason in the same way?
2. Does reasoning evolve?
Did human beings  reason in the same way two centuries ago?
In the future will human beings reason in the same way?
Did computers change our way to reason?
Is a mathematical proof independent of time and culture ?
3. Do we reason in different ways depending on the situation?
Do we use the same logic for everyday life, physics, economy?
4. Do the different systems of logic reflect the diversity of reasonings?
5. Is there any absolute true ways of reasoning ?

Any contribution dedicated to one aspects of the question "Is logic
universal?" is welcome.
Submit your paper to
universal.logic@ufc.br
before  August 31st 2009

The Future of the Humanities

“One idea that elite universities like Yale, sprawling public systems like Wisconsin and smaller private colleges like Lewis and Clark have shared for generations is that a traditional liberal arts education is, by definition, not intended to prepare students for a specific vocation. Rather, the critical thinking, civic and historical knowledge and ethical reasoning that the humanities develop have a different purpose: They are prerequisites for personal growth and participation in a free democracy, regardless of career choice” - Patricia Cohen

Andrew Delbanco, director of American studies at Columbia

To read more of this article please visit the New York Times website here.

Announcing the winner of the International Award for Excellence

Congratulations to Dr Judy Lattas, the winner of the International Award for Excellence in the area of the area of new directions in the humanities for her paper Dear Learner: Shame and the Dialectics of Enquiry

Paper abstract: In this paper I contemplate the potential of Enquiry Based Learning (EBL) to lead the teaching of humanities in Australian universities. Are there internal constraints on its happy unfolding for a future of the humanities, true to its intellectual and political projects? In its favour, the proponents of EBL cite an Enlightenment ideal of ‘enquiry’ that puts the highest value on creative, open ended and self-determined thought – a pursuit of knowledge that is not limited by the interests of any professional or economic class. These same proponents of EBL, however, are often in university positions assigned the task of bringing a more instrumentalist approach to the pursuit of knowledge. Is it all just a case of Orwellian double-speak? Probyn (2005) writes about shame as a powerful and productive state that enables us to reappraise our actions and our values. In my paper I call up two moments of shame in the recent pursuit of learning and teaching excellence at my university, in order to explore the politics of an emerging rhetoric in this arena: that of ‘learning without teaching.’

Indiana University’s 59th Summer Workshop in Slavic, Eastern European, and Central Asian Languages

19 June-14 August 2009

Indiana University, Bloomington, USA

www.indiana.edu/~iuslavic/swseel/

Complete  1 full academic year of language study in 8 weeks!

Continue reading ‘Indiana University’s 59th Summer Workshop in Slavic, Eastern European, and Central Asian Languages’

Cfp: “John Dewey’s 150th Birthday Celebration,” Center for Inquiry, Amherst, NY, USA, October 22-24, 2009

An International Conference on Dewey’s Impact on America and the World. Papers should address some aspect of Dewey’s work and its influence.

Invited speakers include: Nadine Strossen, current President of the American Civil Liberties Union; Philip Kitcher, John Dewey Professor of Philosophy at Columbia University; Larry Hickman, Director of the Center for Dewey Studies; Ron Giere, Professor Emeritus, University of Minnesota.

Reading time should be between 20-25 minutes. Please only submit papers for blind review. Papers should be sent via email in .pdf or .doc format. Please submit papers to: jshook@centerforinquiry.net

Submitted papers due: September 1st, 2009.

The above announcement was copied from one of several Internet sources turned up in a Google search. An announcement of the event can be found on the Research page of the Center for Inquiry’s web site. It is likely that additional information will be found there as the conference approaches

Samuel Johnson at Bucknell: A Tercentenary Celebration

Schedule of Events: March 23-24, 2009. ALL ARE WELCOME

2009 is the tercentenary of the birth of Samuel Johnson, one of the great writers of eighteenth-century England. The Bucknell Humanities Institute – supported by the Office of the Provost, and with additional support from the University Lectureship Committee, the Department of English, the Ellen Clarke Bertrand Library, and the Bucknell University Press – commemorates Johnson’s life and work, his contribution to the western literary tradition, to the American tradition of liberal education, and to his continuing place in the curriculum on college campuses such as Bucknell.

EXHIBIT:  The Bertrand Library will feature an exhibit of Johnsonian first editions and other rare books, images, and related materials, March 2 - April 30, 2009, in the exhibit space on the lower level of the library. All are welcome to visit the exhibit during library hours.

LECTURES:  On March 23, 2009 Bucknell hosts lectures on Johnson by three eminent men of letters: Christopher Ricks, Leo Damrosch, and David Ferry. ALL ARE WELCOME TO ATTEND THE LECTURES AND RECEPTION. The lecturers:  Christopher Ricks. Sarah B. Warren Professor of the Humanities and co-director of the Editorial Institute, Boston University, Professor of Poetry at the University of Oxford, and formerly King Edward Professor of English Literature at the University of Cambridge. Leo Damrosch. Ernest Birnbaum Professor of English, Harvard University. David Ferry. Sophie Chantal Hart Professor Emeritus of English at Wellesley College, Visiting Lecturer in Creative Writing at Boston University, and Fellow of the American Academy of Arts and Sciences.

SCHEDULE of LECTURES:  March 23, 2009, 4.00 - 7.00 pm, BUCKNELL HALL

4.00 pm. Reception begins

4.30 pm. Michael Smyer, Provost of Bucknell University, Welcome

4.35 pm. Greg Clingham, Professor of English, Introductions

4.45 pm. Leo Damrosch, “Doctor Johnson vs Jean Jacques: Two Styles of Thinking and Being”

5.20 pm. Short Break

5.30 pm. David Ferry, Poetry Reading and Remarks on Johnson and Tolstoy

6.05 pm. Christopher Ricks, “Sound and Sense”

7.00 pm. Reception ends

FURTHER EVENTS:

March 24, 2009, 10.00 - 11.00 a.m. SPECIAL COLLECTIONS READING ROOM, ELLEN CLARKE BETRAND LIBRARY

Conversations with Christopher Ricks, Leo Damrosch, Greg Clingham, Philip Smallwood, and Adam Rounce. (Recorded event. Audience welcome.)

March 24, 2009, 12.00 noon - 2.00 pm, WILLARD SMITH LIBRARY

Informal buffet lunch for STUDENTS with Professors Ricks, Damrosch, and Ferry. Students interested in attending this lunch might send their name and e-mail to Professor Clingham at clingham@bucknell.edu

To see the brochure that has been distributed on campus click on the link below: http://www.bucknell.edu/Documents/UniversityPress/Johnson%20Humanities%20Institute%20brochure.pdf 

Plenary Presenters papers published

Some papers of interest which were published in The International Journal of the Humanities include papers by plenary presenters at the conference:

World Strangers: Expatriation, Global Society, and the Humanities by A. Pablo Iannone.

What Obstacle does the Scientific Account of Consciousness Face? Can they be overcome? by Norehan Zulkiply, Mohamad Raduan Kabit and Kartini Abd Ghani.

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The Humanities Journal

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Conference Venue

Beijing, China from 2-5 June 2009.
Friendship Hotel Beijing
Friendship Palace
1 Zhongguan Cun South Street
Haidian District
Beijing 100873
China