
The draft program for the 8th International Conference on New Directions in the Humanities, 29 June-2 July at UCLA is now available — 2010 Draft Program. Locate your session, search for other conference sessions and start planning your schedule for the conference.
Be sure to re-visit for updates, and please note that the final, official program will be provided in printed format at the conference.

From Christina Masters at Eurozine…
Increasing military interest in the body cancels the transgressive potential of the cyborg. Where humans become the weakest link in contemporary warfare, the cyborg represents a desire for total masculinist control and domination. Machines, not human bodies, are now the subjects of the text.
Feminisms, technology and the military
In “Fact and Fantasy: The Body of Desire in the Age of Posthumanism”, Renée C. Hoogland (2002: 214) argues that “in the increasingly technologized age of posthumanism, bodily matters are, quite simply, too substantial to be left to the ‘empirically’ inclined minds of natural scientists”, and therefore calls on cultural theorists to take up the weighty issue of bodily matters. Recent developments indicate, however, that bodily matters are more and more coming under the ambit of the “strategic” and “security” inclined minds populating military institutions and government administrative offices, in ways perhaps far more troubling and disturbing in all of its potential and real implications. In the post-9/11 context of the war on/of terror, one can scarcely overemphasize the dangerous possibilities signalled in this shift. Dangerous, in that bodily matters are being taken up by institutions primarily concerned with the defence and security of the nation-state in an increasingly biopolitical architecture of power. More…
Image: Flickr/Daquella manera

The great American writer left instructions not to publish his autobiography until 100 years after his death, which is now
From Guy Adams at The Independent…
Exactly a century after rumours of his death turned out to be entirely accurate, one of Mark Twain’s dying wishes is at last coming true: an extensive, outspoken and revelatory autobiography which he devoted the last decade of his life to writing is finally going to be published.
The creator of Tom Sawyer, Huckleberry Finn and some of the most frequently misquoted catchphrases in the English language left behind 5,000 unedited pages of memoirs when he died in 1910, together with handwritten notes saying that he did not want them to hit bookshops for at least a century.
That milestone has now been reached, and in November the University of California, Berkeley, where the manuscript is in a vault, will release the first volume of Mark Twain’s autobiography. The eventual trilogy will run to half a million words, and shed new light on the quintessentially American novelist. More…

Geoffrey Wall’s Literary Review of A Winter on the Nile: Florence Nightingale, Gustave Flaubert and the Temptations of Egypt by Anthony Sattin…
The best biographies, like some of the best novels, are packed with subjunctives. They are alive with a persistent, muted sense of what might have been.
The lives of educated, imaginative, middle-class, mid-nineteenth century women were often tragically packed with subjunctives. Excluded from the public sphere, these women were further constrained by a scarcely figurative matrimonial corset, that patriarchal contraption so lovingly tightened of late. Subject to such chronic restriction, a young woman might take refuge in illness and romantic fiction or, more audaciously, adultery and suicide. Emma Bovary, that small-town extremist, exhausts both possibilities. For those more fortunate than her, there might be a carefully chaperoned excursion to somewhere far away - to Egypt, for example.
Anthony Sattin’s A Winter on the Nile contains the story of one such exceptional nineteenth-century journey. The book is one part travel writing, one part cultural history, and one part biography. It’s a delicious mix, skilfully blended. More…

By Anthony Shadid at The New York Times…
Report No. 25, dated April 4 and written by Col. Qais Hussein, was clinical, the anonymous survey of an explosion in a city where explosions are ordinary.
“Material damage: significant,” it declared of the car bomb that was detonated last month near the Egyptian Embassy, killing 17 people. “The burning of 10 cars + the burning of a house, which was in front of the embassy, with moderate damage to 10 surrounding houses.”
Colonel Hussein’s report didn’t mention the hundreds of books, from plays of Chekhov to novels of the Palestinian writer Ghassan Kanafani, stored in bags, boxes and a stairwell. It didn’t speak of the paintings there of Shaker Hassan, one of Iraq’s greatest, or the sculptures of his compatriot, Mohammed Ghani Hikmat. There was no note of the stone brought from an exile’s birthplace in Bethlehem that helped build the house as a cosmopolitan refuge bridging West and East. More…

Michael Dummett’s The Nature of Philosophy…
1: Philosophy as an Academic Subject
Practically every university throughout the world deems it as essential to have a philosophy department as to have a history department or a chemistry department. This is certainly a very lucky thing for philosophers. Historians can teach in schools and advise on television programs and films; the minority gifted with the ability to write popular books can subsist on their incomes as authors. Chemists can work for industry; if they are lucky, they may even be paid by their companies to do research. By contrast, only in a few countries is philosophy taught as a subject in the schools; philosophy books will never become best-sellers; no commercial enterprise will pay for original work in this field. Until recently, professional philosophers would have been unemployable had it not been for the universities. Some who specialize in ethics have obtained positions advising on bioethics, that is, on moral problems arising out of or within the practice of medicine; but of course this is an application of only one specialized branch of the subject. In the modern world, scarcely anyone can live without being employed or profitably self-employed. Philosophers not engaged in applied ethics must count themselves extremely fortunate that the state, which funds many of the universities, is willing to pay that they may devote themselves to the pursuit of their subject. More…

By Lorna Bradbury at the Telegraph…
‘Something is missing in our culture,” Ian McEwan proclaims. “We can’t quite celebrate the scientific literary tradition.” And then a little later: “We overvalue the arts in relation to the sciences.”
McEwan is taking questions at the end of a lecture he has given to the Royal Society of Literature on Darwin and Einstein and the ways in which notions of “originality” might relate to the sciences compared with the arts.
“I want to try and usefully blur the distinctions between the two realms,” McEwan tells me the next morning. “On the one hand there is a scientific tradition. Scientists do stand on the shoulders of giants, just as do writers. Conversely, in the arts we do make discoveries. We do refine our tools. So I am arguing with, or at least playing with, the idea that art never improves.” More…
An opinion piece from Simon Critchley at The New York Times…
There are as many definitions of philosophy as there are philosophers – perhaps there are even more. After three millennia of philosophical activity and disagreement, it is unlikely that we’ll reach consensus, and I certainly don’t want to add more hot air to the volcanic cloud of unknowing. What I’d like to do in the opening column in this new venture — The Stone — is to kick things off by asking a slightly different question: what is a philosopher?
As Alfred North Whitehead said, philosophy is a series of footnotes to Plato. Let me risk adding a footnote by looking at Plato’s provocative definition of the philosopher that appears in the middle of his dialogue, “Theaetetus,” in a passage that some scholars consider a “digression.” But far from being a footnote to a digression, I think this moment in Plato tells us something hugely important about what a philosopher is and what philosophy does. More…
Colin Marshall talks to David Shields, author of Reality Hunger: A Manifesto
From 3quarksdaily.com…
David Shields is a professor of English at the University of Washington and author of fiction, nonfiction and various hybrids thereof about sports, autobiography, celebrity and death. His new book, Reality Hunger: A Manifesto, uses collage writing to challenge preconceived ideas about form and genre in art, especially as they pertain to literature. Shields advocates disregarding these hardened constraints, a move which will allow art to use more of and become more like life itself. Colin Marshall originally conducted this conversation on the public radio program and podcast The Marketplace of Ideas.
For the interview…

By Adam Kirsch at The New York Times…
It may seem surprising that so many books continue to be written debating Martin Heidegger’s Nazi affiliations, since the fact that Heidegger was a Nazi has never been in dispute. How could it be, when the great philosopher took office as rector of Freiburg University in April 1933 specifically in order to carry out the Gleichschaltung, or “bringing into line,” of the school with Hitler’s new party-state? Didn’t he tell the student body, in a speech that November, that “the Führer and he alone is the present and future German reality and its law”? After the war, didn’t he go out of his way to minimize Nazi crimes, even describing the Holocaust, in one notorious essay, as just another manifestation of modern technology, like mechanized agriculture?
Yet by the time of his 80th birthday, in 1969, Heidegger had largely succeeded in detaching his work and reputation from his Nazism. The seal was set on his absolution by Hannah Arendt, in a birthday address broadcast on West German radio. Heidegger’s Nazism, she explained, was an “escapade,” a mistake, which happened only because the thinker naïvely “succumbed to the temptation . . . to ‘intervene’ in the world of human affairs.” More…
From Sam Harris at The Huffington Post…
Over the past couple of months, I seem to have conducted a public experiment in the manufacture of philosophical and scientific ideas. In February, I spoke at the 2010 TED conference, where I briefly argued that morality should be considered an undeveloped branch of science. Normally, when one speaks at a conference the resulting feedback amounts to a few conversations in the lobby during a coffee break. I had these conversations at TED, of course, and they were useful. As luck would have it, however, my talk was broadcast on the internet just as I was finishing a book on the relationship between science and human values, and this produced a blizzard of criticism at a moment when criticism could actually do me some good. I made a few efforts to direct and focus this feedback, and the result has been that for the last few weeks I have had literally thousands of people commenting upon my work, more or less in real time. I can’t say that the experience has been entirely pleasant, but there is no question that it has been useful. More…
A review from Benjamin Kunkel at London Review of Books…
Fredric Jameson’s pre-eminence, over the last generation, among critics writing in English would be hard to dispute. Part of the tribute has been exacted by his majestic style, one distinctive feature of which is the way that the convoy of long sentences freighted and balanced with subordinate clauses will dock here and there to unload a pithy slogan. ‘Always historicise!’ is one of these, and Jameson has also insisted, under the banner of ‘One cannot not periodise,’ on the related necessity (as well as the semi-arbitrariness) of dividing history into periods. With that in mind, it’s tempting to propose a period, coincident with Jameson’s career as the main theorist of postmodernism, stretching from about 1983 (when Thatcher, having won a war, and Reagan, having survived a recession, consolidated their popularity) to 2008 (when the neoliberal programme launched by Reagan and Thatcher was set back by the worst economic crisis since the Depression). During this period of neoliberal ascendancy – an era of deregulation, financialisation, industrial decline, demoralisation of the working class, the collapse of Communism and so on – it often seemed easier to spot the contradictions of Marxism than the more famous contradictions of capitalism, and no figure seemed to embody more than Fredric Jameson the peculiar condition of an economic theory that had turned out to flourish above all as a mode of cultural analysis, a mass movement that had become the province of an academic ‘elite’, and an intellectual tradition that had arrived at some sort of culmination right at the point of apparent extinction. More…