Monthly Archive for July, 2010

Humanities Conference–Share Your Photos

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To those of you that joined us at the 2010 Humanities Conference in Los Angeles, or if you’ve participated in a previous conference, please share your photos of the conference with your friends and colleagues that you met while at the conference. Pictures of the conference sessions, dinner, tours and ‘down time’ are all welcome!

Join our Inclusive Museum Conference Flickr group here, and upload your pictures to easily share. Once you’ve joined, simply click on ‘Add something?’, and upload your photos or videos of the conference.

For information on sharing photos with Flickr, please read more here.

Trial by Ink: From Nietzsche to Belly Dancing

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Trial by Ink: From Nietzsche to Belly Dancing by Yahia Lababidi is now available from The Humanities imprint.

There are at least three aspects of this collection of essays which are both singular and superb. First, not surprisingly, the prose is incisive and yet evocative; Lababidi moves from the aphoristic and the epigrammatic to the suggestive, the lightly hinted, the nuanced, with impressive ease. This is a rare gift, more associated with European writers than with American. This striation of tone, of register, of mood, gives a sense of surprise to his sentences; they spring back to the touch. Sometimes they even seem surprised at themselves.

Secondly, Lababidi covers a huge range of subjects. From Nietzsche to belly-dancing, indeed! What is impressive, however, is not so much the range itself as the aplomb with which he disports himself there. Kafka, Kierkegaard, Montaigne, et al., rub shoulders with Michael Jackson and “Ramadan TV.” But I like the fact that he don’t blur distinctions either. These writers or entertainers are treated on their own terms. I’m not a fan of Michael Jackson, or of Susan Sontag, for that matter, but Lababidi persuades me to an unexpected sympathy with them, at least while I’m reading his essays. The ability to reveal or to create affinities is the secret gift of the greatest essayists, in my view, and Lababidi does this impressively often in Trial by Ink. There is also a finely calibrated sense of the absurd, the whimsical, the slyly surrealistic throughout. And this has the unexpected but quite genuine effect of strengthening and emphasizing not only the literary but the moral seriousness of the essays.

Finally, there is something which is difficult to express: this book has a distinctive flavour, the unmistakable flavour of a sensibility. This unites the essays, however disparate in topic. But this “taste” is what draws the reader into the book and entices him from one essay to the next. The book becomes an exploration on which the reader embarks. This is one of the elements in collections of essays I most appreciate–this secret invitation au voyage which the author holds out–and Lababidi does this extremely well–with courtesy as well as cunning. The reader is like Bartleby (in my favourite of these essays) who prefers not to but here is persuaded otherwise.”

—Eric Ormsby, author of Ghazali (Makers of the Muslim World)

The Moral Naturalists

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From David Brooks at The New York Times

Where does our sense of right and wrong come from? Most people think it is a gift from God, who revealed His laws and elevates us with His love. A smaller number think that we figure the rules out for ourselves, using our capacity to reason and choosing a philosophical system to live by.

Moral naturalists, on the other hand, believe that we have moral sentiments that have emerged from a long history of relationships. To learn about morality, you don’t rely upon revelation or metaphysics; you observe people as they live.

This week a group of moral naturalists gathered in Connecticut at a conference organized by the Edge Foundation. One of the participants, Marc Hauser of Harvard, began his career studying primates, and for moral naturalists the story of our morality begins back in the evolutionary past. It begins with the way insects, rats and monkeys learned to cooperate. More…

Sticking the world together with words

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From The Guardian

We’re so used to hearing writers worship words: “Oh, I’ve always been passionate about language, every sentence is crafted with loving care.” So used to hearing of the positive power of literature: “If only she’d read some serious fiction, the break-up wouldn’t have come as such a trauma!” Even of its supposed political importance: if only Israelis and Palestinians would read each others’ novels, says Amos Oz, they would begin to come to some accommodation. If only Americans translated more foreign literature, says translator Edith Grossman, US foreign policy would be more understanding. The mafia can be beaten, says Roberto Saviano, with words! And then, the Bible’s weird announcement: “In the beginning was the Word”. As if everything outside language were secondary and irrelevant.

But what if language and literature were as much a part of the problem as the solution?

Consider.

Invented, not part of nature, words are thrust upon us the moment we emerge from the womb. Heads stuffed with them, we start to imitate. The right sounds in the right sequences get us what we want. Soon these patterns of sound seem as natural as breathing. For stream of consciousness, read stream of words.

We could barely walk before they put books in our hands. The sounds became signs. We must read them silently, subtracted from the give and take of company, abstracted from our immediate context. Alone, withdrawn, the mind brims with words that have no material existence. More…

Five days with David Foster Wallace: Colin Marshall talks to author and journalist David Lipsky

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From 3quarksdaily.com

I want to tell you one thing I imagine about the creation of this book. Tell me if it’s right or wrong. As the listener probably knows by now, this book is made out of transcripts of tapes you recorded while you were on the road with David Foster Wallace for five days during his publicity tour for his big novel in ’96 Infinite Jest.

Yeah, it was a lot of fun.

It sounds like it. You didn’t end up writing the article that these notes were for, a Rolling Stone profile. That got canceled. So you had these laying around, I presume, stored somewhere. I would imagine, after David Foster Wallace’s untimely death in 2008, your mind went immediately to these materials, all this conversation you had with Wallace. I imagine a huge, crushing sense of responsibility. You’re thinking, “I’ve got to do something with themes, but what?” Is that accurate at all?

Well, no — it’s interesting, but when I first heard that he had died, like a lot of people, I didn’t think it was true. I got an e-mail from a friend, and I assumed it was a prank. Spending time with David, what you have a sense of is just how mentally healthy he was. If you had asked me in the summer of 2008 to name the most healthy, mentally, American writer, I would have without any hesitation, said David Wallace. He just seemed like he’d gone through something when he was younger, but he seemed healed. He seemed like someone who had a wise, funny, sharp way of looking at life, which would tend to make you live longer, not less long. I was shocked. My first response was just tremendous surprise. More…

Announcing–9th International Conference on New Directions in the Humanities

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The Ninth International Conference on New Directions in the Humanities will be held at the Universidad de Granada, Campus La Cartuja, Granada, Spain from 8-11 June 2011.

Thank you to all of those who contributed to the 2010 Humanities Conference, held at the University of California, Los Angeles, USA. The conference brought together delegates from many backgrounds and discipline areas, continuing the conference’s commitment to inclusive dialogue.

Both delegates who attended the conference and virtual delegates may upload their presentations and videos to the Humanities Conference YouTube channel. (Information on uploading your presentation available here.) You may also be a part of our Common Ground YouTube community by joining the conference group and becoming a subscriber (click on the yellow “subscribe” button in the top left corner of the screen).

Additionally, please join our online conversation by subscribing to our monthly email newsletter and subscribing to our Facebook, RSS, or Twitter feeds at http://thehumanities.com.

It is no doubt that the 2011 Humanities Conference will continue on the momentum and successes of this year’s conference, and we are pleased to be hosting the conference in Granada at the Universidad de Granada. Please continue to check the conference webpage, newsletter and blog for further information and conference announcements at http://thehumanities.com/.

Lost Franz Kafka Writings Resurface, Trapped in Trial

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From artdaily.org

It seems almost Kafkaesque: Ten safety deposit boxes of never-published writings by Franz Kafka, their exact contents unknown, are trapped in courts and bureaucracy, much like one of the nightmarish visions created by the author himself.

The papers, retrieved from bank vaults where they have sat untouched and unread for decades, could shed new light on one of literature’s darkest figures.

In the past week, the pages have been pulled from safety deposit boxes in Tel Aviv and Zurich, Switzerland, on the order of an Israeli court over the objections of two elderly women who claim to have inherited them from their mother.

“Kafka could easily have written a story like this, where you try to do something and it all goes wrong and everything remains unresolved,” said Sara Loeb, a Tel Aviv-based author of two books about the writer. “It’s really a case of life imitating art.”

Literary experts in both cities are sifting through the boxes, and the contents are expected to be of priceless literary and monetary value. What exactly is there remains unknown, but the papers include handwritten manuscripts, letters and various literary works by the famed Jewish writer, said Meir Heller, an attorney for the Israeli National Library, which also claims ownership of the trove.

Loeb says the cache could include endings to some of Kafka’s major works, many of which remained unfinished in his lifetime.

“We could find out about his methods, his style, how his art was created, how he built a text,” she said. More…

Day of the dead

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From The Times Higher Education

Never invite a zombie to meet the vicar. They are simply an embarrassment, shuffling around in a most unpleasant manner, mumbling when spoken to and with the disconcerting habit of having bits fall off into the cucumber sandwiches.

If you must invite one of the not-quite-deceased to take tea with a member of the clergy, let it be a vampire – always a much safer bet. Yes, I know they used to have a disturbing habit of arriving as a bat and feasting on the nearest jugular, but they’ve moved with the times. Since their makeover courtesy of Anne Rice and Stephenie Meyer, they are as tame as pussycats and will sip their Earl Grey with the best of them. Just remember, vampires are the undead, but zombies are the living dead – an important little point of etiquette. There’s always the werewolf option, but there’s still the problem of the full moon and pet insurance. Just don’t invite a zombie.

Now that vampires are girlie and romantic, only a zombie will do for all those ghoulish thrills. Michael Jackson danced with them as long ago as 1983 and they didn’t do his career any harm. At the Grimm Up North! horror film festival held in Manchester last year, dozens of enthusiasts wearing torn clothes, green make-up and fake-bloodstained faces moaned and stumbled their way to the box office to get their horror kicks. More…

Tenth International Conference on New Directions in the Humanities

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www.Humanities-Conference.com

2012 Humanities Conference
Centre Mont-Royal, Montréal, Canada
14-17 June 2012

Registration

Those who submit paper proposals should register following the acceptance of the proposal. Conference delegates who do not intend to present may register at any time. 2012 Humanities Conference registration options.

Themes

Goodbye to the Graphosphere

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From Benjamin Kunkel at n+1 magazine

This essay is forthcoming in The Late American Novel: Writers on the Future of Books. Soft Skull. March 2011.

For half a millennium, across continents and civilizations, the human readership did almost nothing but grow and consolidate itself. Constantly more people in more and more places could read, and could read more books more cheaply, with increasing ease. And not only were they able to do this, but they chose to. It would be astonishing to learn, if some retrospective survey could be carried out, that hours per head spent reading didn’t increase across all capitalist or otherwise modernizing countries (most Communist regimes having been energetic promoters of literacy) until at least the middle of the past century.

A few years ago, the French thinker Régis Debray published a brilliant and suggestive essay placing the rise and decline of socialist movements within this frame of ever-greater literacy. The question of socialism can be bracketed for now. More relevant, for the future of reading in general and novel-reading in particular, is Debray’s periodization scheme, in which an immemorial logosphere—the spoken-word realm of the great religions, whose holy texts had been pronounced by God, transcribed and commented on by a small caste of literate men, and received as gospel by an unlettered general population—was succeeded, starting in 1464, with the invention of Gutenberg’s press, by a spreading graphosphere, in which an oral relationship to words was supplemented, for mounting numbers of ordinary people, by a literate relationship to them. The demi-millenium of the graphosphere lasted, on Debray’s account, until 1968, dawn of the videosphere. More…