Monthly Archive for November, 2010

John May reviews ‘Trial by Ink’

picture-1From The Generalist:

One of the many delights of doing The Generalist is being contacted out of the blue by readers all over the world. Particularly when it is a writer of the calibre of Yahia Lababidi, who wrote:

‘It is heartening to discover your thoughtful Generalist, so full as it is with curiosity and compassion. Please allow me to take this opportunity to briefly introduce myself and my work.’

He was kind enough to send me a copy of his book of essays ‘Trial by Ink’ [Common Ground Publishing] which I have been devouring over the last week. What a stimulating pleasure that has been.

Yahia is of Lebanese/Egyptian extraction, born in 1973, currently living in Washington DC. He is a man of deep thoughts who, unusually, is best known for his aphorisms, which have been widely reprinted.

These stem from his background. He writes; ‘In the culture I come from, a saying is a magical thing. It was something people were always happy to hear or recite…I grew up with grandmothers, both maternal and paternal, who spoke almost exclusively, at times, in sayings. A string of proverbs. Singy-songy, witty-wise remarks. When I found myself writing such things, it made sense for me to share them.’

‘Trial by Ink’ is his first collection of essays. He informs us in the intro that the form was minted by de Montaigne and the word derives from the French essai, which means ‘trial’. He views his essays as ‘ a sort of mental autobiography and a collection of judgements…a catalogue of interests, concerns, possessions, exorcisms and even passing enthusiasms’ written over a seven-year period.

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Yahia Lababidi talks about Trial by Ink

getattachmentAn Interview with Yahia Lababidi by Caroline Leavitt:

I happen to love essays, and Yahia Lababidi’s Trial by Ink: From Nietzsche to Belly Dancing, is a dazzling collection. Lababidi is the author of Signposts to Elsewhere, which was selected for Books of the Year in 2008 by The Independent. He’s also been published in AGNI, Cimarron Review, World Literature Today, and several anthologies. Thank you, Yahia, for answering my pesky questions.

What made you write this particular book?

Trial by Ink was composed over a seven year period, so my reasons for writing changed over the years. At times, I just needed to get something off my chest, to unburden myself. Other pieces were me thinking through a subject to try and better understand it, or even discover how I truly felt about it. But, generally speaking, I’d like to think I wrote this book to communicate my enthusiasms, the things I care about in literature and culture, in the hopes that others would, too.

How does being Arab-American inform your work?

Well, a third of this book concerns itself directly with the Middle East and its contradictions bristling side by side: sex and celibacy, superstition and tradition, etc… I do think Art can be a form of cultural diplomacy, and would like to think that a more careful examination of another culture, from an insider’s point of view, might lead to a more sympathetic understanding of it.

Having made the US my home lately, I find that I am more engaged now with teasing out the truths and contradictions embedded within American culture and trying to inspect the national character at closer range. But, what informs my work most I believe are the books I’ve read, and most of those are neither Arab nor American, but more likely European (in English translation).

Your subjects in this collection of essays range from Michael Jackson to Ramadan TV, and it’s been said that you entice the reader, who might prefer not to be here, but is persuaded otherwise by you. How do you think you do such alchemy?

Not quite for me to say… even I knew;) But, I’m certainly happy to hear it! I can say that if one is implicated in the story they are investigating, the reader picks up on that sense of involvement and discovery. In a sense, the essays in this book are all personal trials; whether I happen to be writing about pop culture or spirituality, I feel an intimacy for the subject matter and suspect I stand to learn something essential about myself. Also, I must say, I’ve been lucky in this undertaking – even in the few journalistic, commissioned pieces included here – that I have only written about what I wanted to reflect upon.

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Latest papers in the Humanities Journal

humanitiesThe most recent issue of The International Journal of the Humanities includes:

Recently published in the Humanities Journal

humanitiesThe most recent issue of The International Journal of the Humanities includes:

Hacker’s challenge: Peter Hacker tells James Garvey that neuroscientists are talking nonsense

From The Philosophers’ Magazine

So long as people read Wittgenstein, people will read Peter Hacker. It’s hard to imagine how his work on the monumental Analytical Commentary on Wittgenstein’s Philosophical Investigations could possibly be superseded. He spent nearly twenty years on that project (ten of them in cooperation with his friend and colleague Gordon Baker), following in Wittgenstein’s footsteps, and producing a large number of important articles and books on topics in the philosophy of mind and language along the way. Nearer the end than the beginning of a distinguished career as an Oxford don, at a time of life when most academics would be happy to leave the lectern behind and collapse somewhere with a nice glass of wine, Hacker is in the middle of another huge project, this time on human nature. He also seems keen to pick a fight with almost anyone doing the philosophy of mind.

This has a much to do with his view of philosophy as a contribution to human understanding, not knowledge. One might think that philosophy has the same general aim as science – securing knowledge of ourselves and the world we live in – even if its subject matter is more abstract and its methods more armchair. What is philosophy if not an attempt to secure new knowledge about the mind or events or beauty or right conduct or what have you? According to Hacker, philosophy is not a cognitive discipline. It’s something else entirely. More…

Humanities Journal, Volume 8, Number 6 now available

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The sixth issue of Volume 8 of The International Journal of the Humanitieshas now been published.

Volume 8, Number 6 contains:

Continue reading ‘Humanities Journal, Volume 8, Number 6 now available’

Building Bridges: PW Talks with Reza Aslan

From Scott Esposito at Publishers Weekly

Reza Aslan is the editor of Tablet & Pen: Literary Landscapes from the Modern Middle East, an enormous and impressive anthology of 20th-century Middle Eastern literature.

What made you want to take on this project?

I was interested in telling the story of the modern Middle East from a literary perspective, instead of the usual lens that’s used to look at the region—the lens provided by academics and outsiders, colonialists and conquerors. It’s an incredibly diverse region with a rich literary history, and I wanted to see how the story of the region sounded when the region spoke for itself.

This had to be an enormous undertaking.

It was a very long and grinding process. Words Without Borders [the online magazine] wanted to put together a collection of literature from “the Muslim world”—everything from Rumi to Pamuk. I disagreed with the notion of “literature from the Muslim world,” because there’s no such thing as a “Muslim world” and because most of these writers don’t think of themselves as Muslim writers, any more than Philip Roth considers himself a Jewish writer. More…

Latest papers in the Humanities Journal

humanities

The most recent issue of The International Journal of the Humanities includes:

The coalition will produce a farce of fairness

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From the New Statesman

Ted Honderich, “What is fair in a society?”

John Stuart Mill, proud of his logic, gave liberalism’s 1859 answer, maybe the answer of Britain’s Liberal Democrats today. He gave it in his principle of state intervention in his essay “On Liberty”. The principle was that the state is to intervene in the lives of citizens not to help them, but only to prevent them from causing harm to one another. Then Mill didn’t say what harm is, say whether bankers can do it. Nor did he say in his essay “Utilitarianism”, where vagueness about unhappiness and happiness went with an obscure paean to individualism. The vagueness and obscurity helped conceal the fact evident in clearer utilitarianisms, such as Jeremy Bentham’s, that they justify having a slave class in a society if that does in fact produce the greatest total of happiness or satisfaction for the society.

John Rawls of Harvard gave us liberalism’s 1971 answer to the question of what is fair in a society. What is fair is what is in accordance with the social contract we would make if we didn’t know where we were going to turn out to be personally in a society to come – and if we believed what are deceptively called general facts, say about the benefits of what is called liberty in a society. We, with those all-American beliefs, so innocent and so manufactured, would choose a society where a kind of liberty trumps any equality. That liberty makes of little worth the recommendation of a vaunted principle of equality to the effect that inequalities are all right so long as they can be pretended to be in the interest of the badly off. All of which stuff is oblivious of the truth that fundamental liberty is one thing with equality, oblivious of the illustrative fact that if you and I are in conflict, and unequal in that I have a gun, your liberty reduces to zero. More…

Call to Defend the Humanities

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From Inside Higher Ed:

Arguing that the humanities are facing a crisis of funding and attention, Cornell University’s president, David Skorton, used his “state of the university” address Friday to say that he planned to start a national campaign on behalf of the humanities.

Much of his talk was about plans at Cornell to hire more than 100 humanists at various career stages over the next decade, but in answer to a question, he said he plans to start a national campaign on the issue of the humanities generally — and he discussed this goal in an interview Sunday.

“I have been disappointed not to see sufficient national dialogue” on the humanities, he said. “I don’t hear a national conversation about funding for the humanities.” As a result, Skorton said he would focus on humanities issues in major public addresses like Friday’s on campus and in others off campus, and that he would be working to involve leaders of other universities in doing the same.

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