From Benjamin Kunkel at n+1…
Before venturing any trendspotting comments about American literature of the past decade, it’s probably worth scanning the ground hovering behind any exciting new figures stamped on the air—in other words, to observe again that novel-writing as an artistic practice has changed more slowly than almost any other, producing not only over the last ten, but over the last one hundred-and-fifty years mainly examples of what you might call the perennial novel. The perennial novel’s degree of realism or of sentimentality; its mixture of description, analysis, and dialogue; the social and psychological variety of its characters—all of these things and more shift across time, but only slowly. The novel of this past decade, then, is above all like the novel of previous decades; and it may be precisely because the novel is so open to changing historical content—new ways of talking, eating, and dressing, along with new technologies, manners, and beliefs—that the form itself displays such a glacial stability.
In fact, one of the main developments in recent American literature has got to be a newly self-conscious traditionalism, a preference among many sophisticated writers and critics for what are felt to be tried-and-true ways of doing things. For the novel, this means endorsing a relatively high degree of sentimentality, as against the chilly affect of someone like DeLillo or Brett Easton Ellis; a “well-rounded” approach to characterization, as against a previously avant-garde commitment to the evasiveness or speciousness of robust personal identity; and an acceptance of all the artificial contrivance involved in the kind of plotting associated with Dickens, say. This trend could be said to run through the novel of the 0’s from Franzen’s Corrections (2001)—its most distinguished instance—through Zadie Smith’s On Beauty (2005) to Adam Haslett’s recent Union Atlantic (2010). The relative eclipse of another sort of novel—one of flintier feeling and flatter characters, and more diffuse plots—can be seen in the decline of DeLillo’s work from social critique toward mysticism, and in the sad death of David Foster Wallace, whose fiction had seemed to promise a kind of avant-garde humanism that now we’re left to imagine or, more likely, fail to. More…
From WebContent.gov…
Presenter: Tim O’Reilly, founder and CEO of O’Reilly Media
Webinar Description:
Why have 40,000 applications been developed for the Apple iPhone by independent developers while other phones have to develop their own applications? Why are there thousands of mashups for Google Maps, but only hundreds for any other web mapping platform? Why are there hundreds of third party applications for Twitter? Becoming a platform that enables the success of others is the secret sauce of Silicon Valley success.
This talk addresses the question: how does government itself become an open platform that allows people inside and outside government to innovate? How do you design a system in which all of the outcomes aren’t specified beforehand, but instead evolve through interactions between the technology provider and its user community? How can open data, broadband stimulus, and other government technology initiatives spark innovation? How can we create web applications that become ever more useful through a virtuous circle of contributions from their users? More…
From the London Review of Books…
Once the most celebrated intellectual, Jean-Paul Sartre had, until quite recently, almost faded from view. He was already being attacked for his ‘blindness’ about the Soviet gulags shortly after his death in 1980, and even his humanist Existentialism was ridiculed for its optimism, voluntarism and sheer energetic reach. Sartre’s whole career was offensive both to the so-called Nouveaux Philosophes, whose mediocre attainments had only a fervid anti-Communism to attract any attention, and to the post-structuralists and Post-Modernists who, with few exceptions, had lapsed into a sullen technological narcissism deeply at odds with Sartre’s populism and his heroic public politics. The immense sprawl of Sartre’s work as novelist, essayist, playwright, biographer, philosopher, political intellectual, engaged activist, seemed to repel more people than it attracted. From being the most quoted of the French maîtres penseurs, he became, in the space of about twenty years, the least read and the least analysed. His courageous positions on Algeria and Vietnam were forgotten. So were his work on behalf of the oppressed, his gutsy appearance as a Maoist radical during the 1968 student demonstrations in Paris, as well as his extraordinary range and literary distinction (for which he both won, and rejected, the Nobel Prize for Literature). He had become a maligned ex-celebrity, except in the Anglo-American world, where he had never been taken seriously as a philosopher and was always read somewhat condescendingly as a quaint occasional novelist and memoirist, insufficiently anti-Communist, not quite as chic and compelling as (the far less talented) Camus. More…
From Tim Black at spiked…
While the Enlightenment, ‘one of the most important shifts in the history of man’ as one recent account put it, has certainly had its detractors, who blame it for anything from the Holocaust to soulless consumerism, it now also has a veritable army of self-styled heirs. Militant secularists, New Atheists, advocates of evidence-based policy, human rights champions… each constituency in their turn will draw justification from the intellectual emanations of that period beginning roughly towards the end of the seventeenth century and culminating – some say ending – in the 1789 French Revolution and its aftermath. And each in their turn will betray it.
It is not deliberate treachery. This is no reactionary dissimulation – it is more impulsive than that. Still, in the hands of the neo-Enlightened, from the zealously anti-religious to the zealously pro-science, something strange has happened. Principles that were central – albeit contested – to the Enlightenment have been reversed, turned in on themselves. Secularism, as we have seen recently in the French government’s decision to ban the burqa, has been transformed from state toleration of religious beliefs into their selective persecution; scientific knowledge, having been emancipated from theology, has now become the politician’s article of faith; even freedom itself, that integral Enlightenment impulse, has been reconceived as the enemy of the people. As the Enlightened critics of Enlightenment naivete would have it, in the symbolic shapes of our ever distending guts and CO2-belching cars, we may be a little too free. More…
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